The Claremont Museum of Art is pleased to partner with Claremont Heritage and Cathleen Ford Miner to present a lecture by curator and art historian Susan M. Anderson that focuses on the women artists featured in the Claremont Museum of Art’s current exhibition.
Join us on Saturday, January 5 at 4:00 p.m. at the Claremont Heritage Ginger Elliott Gallery, for this informative talk followed by a reception. The Gallery is located in Memorial Park at 840 N Indian Hill Blvd, Claremont. We invite you to visit the museum exhibition in the Depot at 200 W. First Street, before the lecture from noon to 4:00 p.m., or after during the Village Art Walk, from 6 to 9:00 p.m.
Join us on Saturday, January 5 at 4:00 p.m. at the Claremont Heritage Ginger Elliott Gallery, for this informative talk followed by a reception. The Gallery is located in Memorial Park at 840 N Indian Hill Blvd, Claremont. We invite you to visit the museum exhibition in the Depot at 200 W. First Street, before the lecture from noon to 4:00 p.m., or after during the Village Art Walk, from 6 to 9:00 p.m.
The informative talk will focus on the women artists featured in the Claremont Museum of Art’s current exhibition Primal Nature: Animalia by Women in Post-War Claremont. A reception will follow the lecture. Visit the museum in the Depot at 200 W. First Street noon to 4:00 p.m. to see the exhibition before the lecture or stop by after for Art Walk from 6 to 9:00 p.m.Primal Nature: Animalia by Women in Post-War Claremont examines how animals, both real and fantastic, occupied an important place in artistic expression in mid-twentieth century Claremont. On display through January 6, the exhibition features the art of women who were art faculty or students at Scripps College and Claremont Graduate School—Jean Goodwin Ames, Barbara Beretich, Betty Davenport Ford, Marjorie Burgeson, Susan Hertel, Martha Underwood, Nina De Creeft Ward—as well as other local artists—Dora de Larios, Ingrid Petersen, Hildred Reents and Ellamarie Wooley. The artists were selected not only for their work as ceramists, painters, enamelists and sculptors, but also for their contributions as educators, promoters and community-builders for the arts after World War II
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